{"id":2567,"date":"2024-06-06T12:55:14","date_gmt":"2024-06-06T10:55:14","guid":{"rendered":"https:\/\/corneliarainer.com\/inszenierung\/jakob-michael-reinhold-lenz\/"},"modified":"2024-06-17T22:00:28","modified_gmt":"2024-06-17T20:00:28","slug":"jakob-michael-reinhold-lenz","status":"publish","type":"inszenierung","link":"https:\/\/corneliarainer.com\/en\/production\/jakob-michael-reinhold-lenz\/","title":{"rendered":"Jakob Michael Reinhold Lenz"},"content":{"rendered":"\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>In &#8220;Lenz,&#8221; Cornelia Rainer delves into her own origins: hailing from the Tyrolean mountains, she stages the nature of the Steintal and Lenz&#8217;s inner world as an acoustic landscape: harmonious, disturbing, and imbued with the radical contradictions inherent in the Lenz narrative.<\/p>\n\n\n\n<p>Cornelia Rainer captures the immense linguistic power and atmospheric density of Georg B\u00fcchner&#8217;s text, depicting the twenty days that Lenz spent in the Steintal, in that sparse yet striking landscape, at the house of Pastor Oberlin. She turns these days into a symbol of a lifelong quest, where recurring themes and states condense: the gradual distortion of perception, the influence of nature, the vulnerability to one&#8217;s own mood, the longing for community and companionship with others, the torn and ambivalent relationship between religious delusion and atheism, between hubris and self-flagellation, mania and boredom, dream and wakefulness.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><div class='team'><ul class='schauspieler'><li>with&nbsp;<\/li><li class='name'><span><a target='_blank' href='https:\/\/www.burgtheater.at\/ensemble\/markus-meyer'>Markus Meyer<\/a><\/span><\/li><li class='rolle'> (Lenz),&nbsp;<\/li><li class='name'><span>Manfred B\u00f6ll<\/span><li class='rolle'> (Pastor Oberlin),&nbsp;<\/li><\/li><li class='name'><span>Gertud Roll <\/span><li class='rolle'> (Madame Oberlin),&nbsp;<\/li><\/li><li class='name'><span><a target='_blank' href='https:\/\/www.crew-united.com\/de\/Karola-Niederhuber_139387.html'>Karola Niederhuber<\/a><\/span><\/li><li class='rolle'> (The Maid ),&nbsp;<\/li><li class='name'><span>Clemens Ansorg<\/span><li class='rolle'> (A school-boy),&nbsp;<\/li><\/li><li class='name'><span>Jonathan Sei\u00dfler<\/span><li class='rolle'> (A school-boy),&nbsp;<\/li><\/li><li class='name'><span>Julian Sartorius <\/span><li class='rolle'> (Percussion)<\/li><\/li><\/ul><ul class='staff'><li><span class='funktion'>Direction<\/span> <span class='name'><a target='_blank' href='www.corneliarainer.com'>Cornelia Rainer<\/a><\/li><li><span class='funktion'>Text <\/span> <span class='name'>Cornelia Rainer und Sibylle Dudek<\/span><\/li><li><span class='funktion'>Dramaturgy<\/span> <span class='name'><a target='_blank' href='https:\/\/www.schauspiel.koeln\/menschen\/dramaturgie\/sibylle-dudek\/'>Sibylle Dudek<\/a><\/li><li><span class='funktion'>Stage and Costume Design<\/span> <span class='name'><a target='_blank' href='https:\/\/aurellenfert.com\/'>Aurel Lenfert<\/a><\/li><li><span class='funktion'>Music<\/span> <span class='name'><a target='_blank' href='https:\/\/www.sophiehunger.com\/'>Sophie Hunger<\/a>,&nbsp;<\/li><li><span class='name'><a target='_blank' href='https:\/\/juliansartorius.bandcamp.com\/'>Julian Sartorius <\/a>,&nbsp;<\/li><li><span class='name'>Christian Prader<\/span><\/li><\/ul><\/div>\n\n\n<div class='premiere'><h3>Premiere<\/h3><p>August 10, 2012<\/p><p><\/p><div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>In &#8220;Lenz,&#8221; Cornelia Rainer delves into her own origins: hailing from the Tyrolean mountains, she stages the nature of the Steintal and Lenz&#8217;s inner world as an acoustic landscape: harmonious, disturbing, and imbued with the radical contradictions inherent in the Lenz narrative. Cornelia Rainer captures the immense linguistic power and atmospheric density of Georg B\u00fcchner&#8217;s [&hellip;]<\/p>\n","protected":false},"featured_media":2086,"menu_order":0,"template":"","categories":[381,385],"tags":[535,588,581,420,584,586,585,419,583,582,417,416,414,580,587,415,410],"class_list":["post-2567","inszenierung","type-inszenierung","status-publish","has-post-thumbnail","hentry","category-staging","category-theatre","tag-aurel-lenfert-en","tag-christian-prader-en","tag-clemens-ansorg-en","tag-georg-buechner-en","tag-gertrud-roll-en","tag-goethe-en","tag-jonathan-seissler-en","tag-julian-sartorius-en","tag-karola-niederhuber-en","tag-manfred-boell-en","tag-markus-meyer-en","tag-montblanc-young-directors-award-en","tag-salzburger-festspiele-en","tag-sibylle-dudek-en","tag-sturm-und-drang-en","tag-sven-eric-bechtolf-en","tag-young-directors-project-en"],"acf":[],"_links":{"self":[{"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/inszenierung\/2567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/inszenierung"}],"about":[{"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/types\/inszenierung"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/media\/2086"}],"wp:attachment":[{"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/media?parent=2567"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/categories?post=2567"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/corneliarainer.com\/en\/wp-json\/wp\/v2\/tags?post=2567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}